Margaret Qualley, ‘Sanctuary.’ Courtesy of NEON. He needed to create an intimate place where Hal and Rebecca could figure out what they needed from this sexual relationship - in other words - a sanctuary. He aimed to write a film that centered on the characters’ desires and what they could get from one another, rather than one that passed judgment on their sexual choices. It was originally titled “We Here At” as in, “we here at this company take our job very seriously,” but Wigon was adamant on calling the film “Sanctuary,” after the safe word used in the screenplay.Īs for where the safe word came from, Bloomberg recalls watching Disney’s “The Hunchback of Notre Dame,” specifically the scene where Quasimodo saves Esmeralda from being hanged, lifts her up, and repeatedly shouts, “Sanctuary!”īloomberg claims he has no idea how he made that connection, but it becomes clear in his goal for the story. While working with Wigon on the 2018 series “Homecoming,” Bloomberg discovered that Wigon was interested in making a film about a dominatrix, so Bloomberg sent him the play. But it turns out to be what they need in their lives, in this weird way.” “She is humiliating him in his hotel room, and you don’t realize at the beginning of the play the reality of their interaction… At the heart of it was this really fucked up dynamic that is very scary and strange. “It was about a hotel heir and this woman that he has a relationship with,” Bloomberg tells Variety. The audience is constantly questioning who is really in charge in the midst of the film’s sexual heat: the demanding and dominating Rebecca, or the rich and biddable Hal?īut before Abbott and Qualley ever assumed these roles, “Sanctuary” was a one-act play that the film’s screenwriter, Micah Bloomberg, wrote back in 2007. Over the course of one long night, “Sanctuary” layers roleplay on top of reality to blur the actuality of power.
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